Cover — Ghosts of Compliancy

Ghosts of Compliancy

Cheyenne Browne
Dispossession on the Palouse
December 20, 2024
Project Abstract

This work interrogates the 200+ years of erasure and dispossession on the Palouse and the archive's complicity in perpetuating these narratives. It disrupts dominant histories by exposing the absences and silences upheld by public archives, and amplifies the stories of resistance and survivance that have been marginalized. Drawing from personal family archives, landscape studies, and traditional sources, this project explores the complex relationships of accountability, inheritance, and responsibility. As a 6th-generation Palouse farmer and academic, the author reflects on their own inheritances and the broader responsibility to both human and non-human ancestors—land, animals, and flora. Central to this work are questions of material accountability, particularly in the context of "Land Back," and how the archive, by attempting to erase and control, has shaped the future possibilities of land and relationships. Ultimately, this is a messy exploration of how we reckon with the past to imagine different futures.

Poem

A Map to the Next World

A Map to the Next World by Joy Harjo, Part 1
A Map to the Next World by Joy Harjo, Part 2
Intro

Introduction

Source of the Peluse — handwritten introduction
Archive

The Archive — Origins & Erasure

Page 6Dedicated to the Pioneers of Whitman County — annotated
Dedicated to the Pioneers of Whitman County — annotated
Page 7The Origin of Palouse Falls — retold by Sam Fisher
The Origin of Palouse Falls — retold by Sam Fisher
Page 8Lewis and Clark Expedition — Maps of Palouse Territory
Lewis and Clark Expedition — Maps of Palouse Territory
Page 9The Appaloosa or Palouse Horse — Sam Fisher & Palouse Indians
The Appaloosa or Palouse Horse — Sam Fisher & Palouse Indians
Page 10Palouse Territory and Villages ca. 1820 — Map
Palouse Territory and Villages ca. 1820 — Map
Page 11Horse Slaughter Monument — annotated 'massacred'
Horse Slaughter Monument — annotated 'massacred'
Archive

The Archive — Blood & Belonging

Page 12Corporeal Generosity — Levinas and Diprose
Corporeal Generosity — Levinas and Diprose
Page 13Blood Quantums — The Last Palouse newspaper clippings
Blood Quantums — The Last Palouse newspaper clippings
Page 14T.A. Brown biographical record — annotated
T.A. Brown biographical record — annotated
Page 15Family correspondence — Vada's story
Family correspondence — Vada's story
Archive

The Archive — Memory & Resistance

Page 17Mary Jim Chapman — newspaper article and portrait
Mary Jim Chapman — newspaper article and portrait
Page 18Why Coyote Made the Palouse Hills — retold by Andrew George
Why Coyote Made the Palouse Hills — retold by Andrew George
Page 19The Indian Wars of the '50s — annotated archive page
The Indian Wars of the '50s — annotated archive page
Page 20Mary Jim Chapman and family — quotes and landscape
Mary Jim Chapman and family — quotes and landscape
Page 21Palus village — aerial photo and etymology
Palus village — aerial photo and etymology
Page 22Destruction of Palus — Dam flooding
Destruction of Palus — Dam flooding
Archive

The Archive — Land & Commodity

Page 23Commodity landscape — Dry Pea & Lentil Capital, Whitman County
Commodity landscape — Dry Pea & Lentil Capital, Whitman County
Page 24Colonialism quote — Glen Coulthard, Good Eating postcard
Colonialism quote — Glen Coulthard, Good Eating postcard
Page 25Canola fields — annotated colonized landscape
Canola fields — annotated colonized landscape
Page 26Invasives — title page
Invasives — title page
Page 27Economic damages of invasive species
Economic damages of invasive species
Page 28Traditional foods — root gathering photograph
Traditional foods — root gathering photograph
Archive

The Archive — Inheritance & Place

Page 29Transition/visual page
Transition/visual page
Page 3064 Years in the Same House — newspaper, family reflections
64 Years in the Same House — newspaper, family reflections
Page 31Cemetery headstones — babies and mothers
Cemetery headstones — babies and mothers
Page 32Dalton Trumbo — Johnny Got His Gun quotes
Dalton Trumbo — Johnny Got His Gun quotes
Page 33The dead and the bones — newspaper clippings and photo
The dead and the bones — newspaper clippings and photo
Page 34Clinton Cemetery — Douglas Fir and Browne headstone
Clinton Cemetery — Douglas Fir and Browne headstone
Page 35Clinton Cemetery — Palouse prairie remnants, family photos
Clinton Cemetery — Palouse prairie remnants, family photos
Page 36Brown family homestead — then and now
Brown family homestead — then and now
Page 37Mary Brown — Palouse Farm Woman newspaper profile
Mary Brown — Palouse Farm Woman newspaper profile
Page 38Family history — wars, frontier, complicity
Family history — wars, frontier, complicity
Archive

The Archive — Reckoning

Page 39Corporeal Generosity — Harry Jim fishing, new stories
Corporeal Generosity — Harry Jim fishing, new stories
Page 40Mary Jim Chapman — matriarch, UN Forum letter
Mary Jim Chapman — matriarch, UN Forum letter
Closing

Closing — What Kind of Ancestor?

Questions — what kind of ancestor do you want to be?
Vivien Sansour — Ghosts of Your Compliancy
The past that was never present — Wyschogrod
About the Author

Cheyenne Browne

Cheyenne Browne

Cheyenne, a queer activist-scholar, approaches the canoe through decolonial and ecological praxis, reading it as a vessel that disrupts settler heteronormative logics of land, time, and belonging. As a sixth generation settler farmer on the Palouse they also approach this work through a lens of responsibility, gratitude, generosity and relationship to people and to the rivers and watersheds themselves. They approach this work with the humbling knowledge that they have come to be here, doing this work, through their embodied relationships with river and soil as much as their (and their human ancestors) relationships with other humans. They are collaborating with local Tribes and Tribal descendants to support Tribal canoe journeys in the Columbia River basin, alongside river and riparian restoration projects. The debt they owe is not just to the Indigenous communities but to the rivers themselves which have allowed them to be here, doing this work.

Land Acknowledgement

This work was produced on the ancestral homelands of the Palouse people, the Nez Perce (Nimíipuu), and other Indigenous peoples of the Columbia Plateau. We honor with gratitude the land itself and the people who have stewarded it throughout the generations.